Extra : More of what makes a cassette sound like a cassette. Artifacts : Control how the Artifacts parameter in the front panel works internally. Cycling through presets Listen how the included presets sound in a real mix.
I : was the standard and most compatible tape format. Featured a ferric-oxide coating Fe 2 O 3. First appeared in the s. II : with a chromium dioxide CrO 2 formulation was introduced at the dawn of the s featuring an undeniable increase in high frequency response. III : living a short period between the mid 70s and early 80s, the ferro-chrome FeCr never made it into the golden era. IV : metal-formulated hit the scene at the end of the 70s. Features firmer bass as well as louder high frequencies.
What the pros say. There are lots of examples of Type I cassettes on Tape Tardis, all with images, and most with written documentation of their characteristics. Please refer to the Blank Cassettes feed or the full index for more. Post was not sent - check your email addresses! Sorry, your blog cannot share posts by email. Use metal or chromium tapes if your boom box will handle them. C90's are about as big as you should go.
C's are way too thin and suffer qualitywise. If you are planning on doing a lot of recording get some packs of tapes now as they are becoming rarer as there are fewer manufacturing facilities now. You can use any audio input really even the mic input the impedance is adjustable. Trending News. Eric Trump: Dad would concede election on 1 condition. Could coronavirus be hurting your sex life?
Jordan's latest move isn't just business, it has a big purpose. Tapes are loaded to the exact length needed and then recorded in real-time, both sides at the same time. Duplication is done directly from your audio files.
Every tape is checked on the A-side to ensure the quality is good. We can copy from bit masters giving a resolution better than CD. We can also copy directly from a cassette master. Your master is reviewed and loaded into a digital bin. Duplication is done at high speed directly onto large tape pancakes. The pancakes are then loaded into the cassettes and cut to the exact length thanks to a low frequency cue tone recorded between copies.
This method gives a good consistent result with flat frequency response from 20 Hz to 16 kHz. About 1 tape out of 50 is checked to ensure the quality is correct.
A J-Card is the standard cover that goes into a cassette box. It's shaped like a J. Some people call it a "3-panel" because it has a front panel, a spine, and a back cover flap. Our J-Cards are printed full bleed on a digital press, cut on a paper knife for clean edges, creased and then folded by hand. O-Cards are cardboard covers used in place of the plastic cassette case.
These were often used for Cassingles. A proper O-Card is made with 15 point board to support shrinkwrapping. We also do O-Cards on a digital press with 15 pt board, and on an inkjet printer on white 13pt Enviro board or brown 18pt chipboard.
Offset printing: Offset printing is available by custom quote for runs of or more. U-Cards are shaped like a U and cover the entire back panel of the cassette case. Contact us for a quote on U-Cards. We can use a machine called a pad-printer to print on audio cassettes. The pad printer can print the entire surface as shown below. Pad printing ink is more opaque than other print-on-cassette methods and is capable of printing fine details. We can also laser-print paper labels in black or in full color.
We have a wide variety of special paper stocks available, including florescents and metallic foils. We can also etch or engrave your design into the cassette and the norelco case! Type IV "metal" tapes do require a different bias and probably won't record properly on a "non-metal compatible" deck. They could be played on any deck, though. I'm delighted with the prompt help offered me. However, I wasn't sophisticated enough to profit from post 2.
I appreciate the sentiment expressed in post 3. Post 4 was up my alley. My tin ear never knew the difference. In addition to a couple of Billie Holliday cassettes, I found some Coleman Hawkins saxaphone that played absolutely great. I discovered an old Louis Armstrongs tape that can still break your eardrums with high Cs. For an old guy like me, that's living.The most common, iron oxide tapes (defined by an IEC standard as "Type I"), use µs playback equalization, while chrome and cobalt-absorbed tapes (IEC Type II) require 70 µs playback equalization. The recording "bias" equalizations were also different (and had a much longer time constant).