However, Eskelin is wary of making close comparisons. Certainly, Friedlander's presence accounts for much of the album's unique flavor. He contributes some stunning solos, particularly the poignant unaccompanied statement that opens "Museum Piece. Eskelin first was noticed in the New York scene in the early '80s, hiring his full-bodied tenor sound out to a wide variety of musicians, including legendary organist Jack McDuff. Their first Enja disc was released in Eskelin began the first of many projects as a leader with a trio consisting of Gress and Haynes on Setting the Standard Cadence Jazz in and Forms Open Minds in Throughout the '90s Eskelin alternated between leading his own groups and playing in others, including drummer Joey Baron 's Baron Down trio; Open Loose , a trio with bassist Mark Helias and drummer Tom Rainey ; and drummer Gerry Hemingway 's quartet.
Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Ripe with potential, Ten only partially delivers, lacking the focus of Eskelin 's superior works.
Energetic Happy Hypnotic. Romantic Sad Sentimental. Golden Daffodil Leslie Beukelman. Hard Bop Eric Binder. How Can We Wake? Josephine Davies. All About Jazz needs your support Donate. Get more of a good thing Our weekly newsletter highlights our top stories and includes your local jazz events calendar.
Sign in Sign up Email address. Password Reset your password Click the eye to show your password.There is a consistency to Ellery Eskelin's core trio with Jim Black and Andrea Parkins that never seems to fail. The group rarely makes a subpar album -- and this one is no different. What is different about this release, though, is that it celebrates the tenth anniversary of the group, and Eskelin invited three additional heavyweight players -- guitarist Marc Ribot, electric bassist Melvin.